AGHORl or AGHORPANTHI. one of the several Kapalika sects, connected with the Tantrik cult of Saivism, notorious for its cannibalism and other abominable practices. Aghora literally means "not terrible," "not evil," otherwise, "pleasant" or "handsome," and is one of the euphemistic titles of the Hindu god, Siva. Aughar or
AI PANTH, one of the twelve sects of yogis, whose adherents worship Ai Bhavani, a tribal female deity, believed to be an extension of Sakti. Siva in the form of ardhanarisvara is said to have two forms represented by his own halves. His right side is the male whose followers
AKAL BUNGA, lit. the abode of the Timeless One, is the building that houses the Akal Takht in the precincts of the Darbar Sahib at Amritsar. The term is also used sometimes synonymously with Akal Takht. Strictly speaking, while Akal Takht is the institution possessing and exercising
ALAHUNI,(mournful song by women) When a person dies. women cry and often sing songs in chorus in praise Of the deceased. There is a lot of pessimism in, such songs. Generally professional women used to lead in the singing of mourning songs. Guru Nanak used this form of poetry
ALANKAR,is the singing of notes (seams) in the melodic phrase of a raga. It can be done in different laya (tempo) which may be slow, medium or fast. A lankar literally means an ornament or decoration. It is the repetition of the musical notes of a raga in a
ANARKALI, the oldest Mughal tomb in Lahore, was built between 1605 and 1615 by Emperor Jahangir for his former favourite dancing girl Anarkali. The tomb was surrounded by extensive gardens enclosed within a high protective wall, and several buildings and palaces were erected in the gardens by Mughal princes and
ASA, one of the thirty one ragas or musical measures into which compositions comprising the Sikh holy book, Guru Granth Sahib, except the Japu, are cast and in which they are meant to be recited and sung. This raga is important in the Sikh system of music, and is said
ASTPADI, from Sanskrit astapada, astapad or astapadf, is a poetic composition comprising ast or eight padas or stanzas. No specific rhyme scheme, measure or burden is prescribed for it, but all the eight stanzas must be in the same metre and measure. Lines in each stanza are generally rhymed.
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