PAL SINGH ARIF, SANT (1873-1958), mystic and poet, was born on Maghar sudi 15, 1930 Bk/4 December 1873, the son of Gurdit Singh Sandhu and Sahib Kaur of the village of Paddhari, now in Amritsar district of the Punjab. He learnt to read and write Punjabi from the village granthi
ASA, one of the thirty one ragas or musical measures into which compositions comprising the Sikh holy book, Guru Granth Sahib, except the Japu, are cast and in which they are meant to be recited and sung. This raga is important in the Sikh system of music, and is said
NIHAL SINGH THAKUR (1808-1895), Sikh theologian and musician, was born at Amritsar on 7 Phagun 1864 Bk/17 February 1808 to Bhai Mahal Singh and Mata Basi. Bhai Mahal Singh lived in the village of Sayyid ki Sarai in Gujjarkhan tahsil of Rawalpindi district, now in Pakistan, and had come to
MAHALA, traditionally pronounced mahalla, appears in Sikh Scripture, the Guru Granth Sahib, as a special term to credit the authorship of the compositions of the Gurus recorded in it. Mahala here refers to the person of the Guru specified by a numeral following it which signifies his position in the
MANGA, BHAI, a musician by profession was among Guru Nanak`s leading disciples. He has been described by Bhai Gurdas, Varan, XI. 13, as a lover of gurbani or the Guru`s word.
GURMAT SANGIT or sacred music of the Sikhs. The founder of the Sikh religion, Guru Nanak (1469-1539), composed his religious verse to settings of Indian ragas mostly from the classical tradition. Successive Gurus followed his example and considered divine worship through music the best means of attaining that state which
SHABAD (Sanskrit sabda, of obscure etymology) is generally rendered as sound, voice or tone. Another series of meanings includes word, utterance, speech. In distinctive Sikli usage shabad means a hymn or sacred work from the Guru Granth Sahib. In the theological sense, it stands for the `Word` revealed by
HIRA SINGH RAGI, BHAI (1879-1926), eminent exponent of Sikh devotional music, was born in 1879 at Faruka, in Shahpur district, now in Pakistan. His father`s name was Bhai Bhag Singh and mother`s Satbharai. Bhag Singh was well versed in classical music and played string instruments such as sdraizgi and
SUNDAR SINGH, RAGI (1892-1937), head musician at Sri Harimandar at Amritsar, was born at Amritsar in 1892, the son of Bahi Amar Singh Arora, himself a musician of considerable standing. Sundar Singh served his apprenticeship with Bhai Atra, a well known rababi (rebeckplayer), who was a disciple of Bhai Moti,
ASTPADI, from Sanskrit astapada, astapad or astapadf, is a poetic composition comprising ast or eight padas or stanzas. No specific rhyme scheme, measure or burden is prescribed for it, but all the eight stanzas must be in the same metre and measure. Lines in each stanza are generally rhymed.
JAVALA SINGH, BHAI SAHIB (1872-1952), a renowned exponent of the Sikh devotional music, was born in 1872 at the village of Saidpur in Kapurthala district of the Punjab. His father, Bhai Deva Singh and grandfather, Parijab Singh were in their day celebrated rdgis or musicians who recited Sikh kirtan
VAR, a verse form in Punjabi popular in folklore as well as in refined poetry. In the old bardic tradition of the Punjab, var meant the poem itself with its typical theme as also the form in which it was cast. The earliest vars were ballads of battles and
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