RAGMAIA, lit. a rosary of ragas or musical measures, is the title of a composition of twelve verses, running into sixty lines, appended to the Guru Granth Sahib after the Munddvam, i.e. the epilogue, as a table or index of ragas. In the course of the evolution of Indian music,

RAHIT DARPAN, lit. a mirror or code of conduct, is one of the thirty-seven rahitndmds written by various authors and collected by Bhagvan Singh under the title Bar Bimal Bibekbdrdhi, popularly known as Bibekbdrdhi,. Rahit Darpan, written in Punjabi verse, is the work of Bhagvan Singh himself, which he completed

RAHITNAME, plural of rahitndmd (rahit = conduct, stipulated conduct or way of life: name = letters, writings, manuals) is a term used in Punjabi in reference to a genre of writings specifying approved way of life for a Sikh. These writings, enunciating conduct and behaviour in accordance with the principles

RAJAS OF THE PUNJAB, by Sir Lepel H. Griffin, first published in 1870 and reprinted in 1970 by the Languages Department, Punjab, Patiala, contains accounts of the principal Sikh princely states in the Punjab and of their political relations with the paramount power. The author admits that the title

RAMGARHIA MISL. See MISLS RAMKALI KI VAR, also known as Tikke di Var, lit. Coronation Ode, is the joint composition of the bards Balvand and Satta. In the caption given it by Guru Arjan in the Guru Granth Sahib, the former is particularized as a Rai, or panegyrist, and

RAMKAIJ SADU, by Sundar, is an "elegy" (sadd, in Punjabi) included in the Guru Granth Sahib in Raga Ramkali, eighteenth of the thirty-one musical measures used in Sikh Scripture. Sadd is a form of folk poetry prevalent in rural Punjab. Literally the term means an invocation call, hark or

RANA SURAT SINGH, an epiclike poem by Bhai Vir Singh published in 1905. This poem of more than fourteen thousand lines is written in blank verse, tried for the first time in Punjabi. With all its protracted search and pang, it is ultimately a poem of complete spiritual certitude, of

RANI RAJINDRAMATI CHARITRA by Sahib Singh Mrigind is a versified account (charitra = character; portrayal) in Braj (Gurmukhi characters) of Queen (rdm== queen) Jindan, the wife of Maharaja Ranjit Singh, here referred to as Rajindramati. Sahib Singh Mrigind (c. 1800-1876) who later became the court poet in the princely state

RATAN DAM by Tahkan, a translation and adaptation into Braj of Acharya Amar Singh`s Amar Kosh, the famous Sanskrit lexicon. Tahkan was one of the several poets who kept Guru Gobind Singh (1666-1708) company. In preparing Ratan Dam, the poet consulted works other than Amar Kosh as well. The manuscript

RISALAINANAK SHAH, a Persian manuscript by Buddh Singh Arora of Lahore, who was employed in the court of the Mughal Emperor Shah Alam II (1759-1806) at Delhi, written in 1783 in collaboration with Lala Ajaib Singh Suri of Malerkotla. The work deals with the history of the Sikhs from the

RUTI (RUTTI), a composition by Guru Arjan in Raga Ramkali in the Guru Granth Sahib comprising eight six line stanzas, preceded by two slokas, each of two lines. Rutfi is the plural of rutt, Skt. rtu (season). The slokas introduce the theme briefly while the stanzas, called chhantshere, elaborate