GARAB GANJANI TIKA, by Bhai Santokh Singh, is an exegesis in the Nirmala tradition of Guru Nanak`s Japu. The commentator, a celebrated poet and chronicler and author of the monumental Sri Gur Pratap Suraj Granth, completed the work, his only one in prose, in 1886 Bk/AD 1829. Whereas all his
\'Anand\', which the Sikhs reverently call Anand Saheb is among the most popular compositions of Guru Amardas, the third of the ten Sikh gurus. This important composition constitutes on significant part of the daily liturgical recitations prescribed for the Sikhs. The compositions of Guru Amardas in general, and Anand
CHRITROPAKHYAN, a long composition comprising women`s tales in verse, forms over one-third of the Dasam Granth. The work is generally ascribed to Guru Gobind Singh. A school of opinion, however, exists which asserts that Chritropakhyan and some other compositions included in the Dasam Granth are not by the Guru
JAPU, with the Punjabi complimentary ji commonly suffixed to it as ah honorific, is the opening composition of Sikh Scripture, the Guru Granth Sahib. At the head of the table of contents of the volume, this composition is recorded as Japu Nisdnu, meaning the `flag composition Japu` or, according
RAMKAIJ SADU, by Sundar, is an "elegy" (sadd, in Punjabi) included in the Guru Granth Sahib in Raga Ramkali, eighteenth of the thirty-one musical measures used in Sikh Scripture. Sadd is a form of folk poetry prevalent in rural Punjab. Literally the term means an invocation call, hark or
SORATHI KI VAR, or Ragu Sorathi Var Mahale Chauthe KI as is the full title recorded at the head of the text in the Guru Granth Sahib contrasting the short title in the index, is one of the eight vars composed by Guru Ram Das. It comprises twenty-nine pauns, i.e.
BEDAVA, lit. disclaimer (be=without + dava = claim). The term came to be used by Sikh chroniclers in reference to an episode Kelating to the last days of Guru Gobind Singh *s battle at Anandpur during the winter of 1705. As, in consequence of the protracted siege of Anandpur,
PREM AMBODH POTHI, lit. book of knowledge about loving devotion, attributed to Guru Gobind Singh, but not included in the Dasam Granth, comprises of the life stories in verse of some of the famous bhaktas or devotees. Written in AD 1693, the book has, besides the introductory chapter, sixteen sections,
GOSHTAN MIHARVAN JI KIAN, by Sodhi Hariji (d. 1696), is a biography of the author`s father, Sodhi Miharban, written in anecdotal style of the janam sdkhis. Biographical details, however, are sparse; the work mainly contains theological discourses of Sodhi Miharban and his interpretations of gurbdm, the sacred utterances of the
MAHIMA PRAKASH, known as Mahima Prakash Vartak (prose) to distinguish it from another work, in verse, bearing the same title, Sarup Das Bhalla\'s Mahima Prakash, is an unpublished manuscript containing anecdotes from the lives of the Gurus. The manuscript, copies of which are now available in the Khalsa College at
VAR BHERE Kl PATSHAHl 10 is an anonymous poem in Punjabi describing the battle of Anandpur, Guru Gobind Singh`s engagement with the pursuing host after he had evacuated Anandpur, and finally die battle of Chamkaur. The view has been expressed that dlis Varis the original version of another poem entitled
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