Guru Nanak (1469-1539) represents the highest point of Punjabi literature, it has reached so far. Not because he is the first preceptor of the; religion of the Sikhs who are to this day staunch champions of Punjabi literature, the excellence in its own right, though it is available to us

JAITSAIILMAHALA 5 VARSLOKANNALI, by GuruArjan, is one of the twenty-two Vdrs, i.e. compositions in this folk form but moulded to a spiritual theme, included in the Guru Granth Sahib. It has been named Jaitsari because of the musical measure it belongs to. While the philosophical standpoint in the entire

JAPU, with the Punjabi complimentary ji commonly suffixed to it as ah honorific, is the opening composition of Sikh Scripture, the Guru Granth Sahib. At the head of the table of contents of the volume, this composition is recorded as Japu Nisdnu, meaning the `flag composition Japu` or, according

KANRE KI VAR, by Guru Ram Das, is one of the twenty-two compositions entered in the Guru Granth Sahib under the rubric of vdr. Like oilier vdrs it is assigned to a specific musical measure Kanra, in this instance. At the head of the Vdr is recorded by Guru

KARMA, THE DOCTRINE OF, closely connected with the theory of rebirth and transmigration, is basic to the religious traditions of Indian origin such as Hinduism, Jainism, Buddhism and Sikhism. The term karam, as it is spelt in Punjabi and as it occurs in Sikh Scripture, the Guru Granth Sahib, has

KRODH (Ski. krodh(i) or wrath is an emotion recognised in the Sikh system as a spring of co-nation and is as such counted as one of the Five Evils. It expresses itself in several forms from silent sullenness to hysterical tantrums and violence. In Sikli Scripture krodh usually appears

MARU VAR, Guru Arjan`s composition in the Maru musical measure in the Guru Granth Sahib. Traditionally, Maru which gives the Vdr its title is elegiac verse and is commonly sung in the afternoon. This measure has a martial undertone as well. The singing of Maru rdga with devotion annuls

ANAND (Skt. Anand, from nand meaning "to rejoice" or "to delight") denotes mystical experience, spiritual bliss or a state of consciousness such as that ofaJi`van mukta, i.e. one released while still in body. Anand in the Upanisadic texts istaken to be one of the three inherent attributes of atman

NADAR (Arabic nazar: glance, favourable regard, favour), implying Divine grace, is a concept central to Sikh religious tradition affirming its faith in a Transcendental Being responsive to human prayer and appeal for forgiveness and mercy. It reiterates at the same time a belief in the sovereignty of Divine Will

ANANDU, noncanonically spelt Anand, by Guru Amar Das, is like Guru Nanak`s Japu, one of the more familiar texts in the Guru Granth Sahib. Set in the Ramkali musical measure and comprising forty stanzas, Anand is recited liturgically, especially in its shortened form, at the conclusion of all congregational services

NAM (lit. name), a collection of sounds possessing the capacity to signify a person, place, thing or idea, is a key term in Sikh theology, embodying a concept of central importance. It subsumes within it the revelation of God`s being, the only fit object of contemplation for the individual,