ACROSTIC :At the age of seven Guru Nanak went to school and the schoolmaster wrote the alphabet on a wooden tablet for Nanak. After just one day Nanak copied the alphabet from memory and made an acrostic on the alphabet. The acrostic called the Patti or tablet in the

CHAUBIS AVTAR, a collection of twenty-four legendary tales of twenty-four incarnations of the god Visnu, forms a part of Bachitra Natak, in Guru Gobind Singh`s Dasam Granth. The complete work contains a total of 4,371 verseunits of which 3,356 are accounted for by Ramavtar and Krishnavtar. The shortest is

JAITSAIILMAHALA 5 VARSLOKANNALI, by GuruArjan, is one of the twenty-two Vdrs, i.e. compositions in this folk form but moulded to a spiritual theme, included in the Guru Granth Sahib. It has been named Jaitsari because of the musical measure it belongs to. While the philosophical standpoint in the entire

RAMGARHIA MISL. See MISLS RAMKALI KI VAR, also known as Tikke di Var, lit. Coronation Ode, is the joint composition of the bards Balvand and Satta. In the caption given it by Guru Arjan in the Guru Granth Sahib, the former is particularized as a Rai, or panegyrist, and

SOHILA or KIRTAN SOHILA is, in sequence, the fourth barn or composition entered in the Guru Granth Sahib. Sohila is the caption given in the scripture, though it is popularly known as Kntan Sohila, and is also sometimes so captioned in the gutkas or breviaries. The Sohila comprises five

\'Anand\', which the Sikhs reverently call Anand Saheb is among the most popular compositions of Guru Amardas, the third of the ten Sikh gurus. This important composition constitutes on significant part of the daily liturgical recitations prescribed for the Sikhs. The compositions of Guru Amardas in general, and Anand

CHRITROPAKHYAN, a long composition comprising women`s tales in verse, forms over one-third of the Dasam Granth. The work is generally ascribed to Guru Gobind Singh. A school of opinion, however, exists which asserts that Chritropakhyan and some other compositions included in the Dasam Granth are not by the Guru

JAPU, with the Punjabi complimentary ji commonly suffixed to it as ah honorific, is the opening composition of Sikh Scripture, the Guru Granth Sahib. At the head of the table of contents of the volume, this composition is recorded as Japu Nisdnu, meaning the `flag composition Japu` or, according

RAMKAIJ SADU, by Sundar, is an "elegy" (sadd, in Punjabi) included in the Guru Granth Sahib in Raga Ramkali, eighteenth of the thirty-one musical measures used in Sikh Scripture. Sadd is a form of folk poetry prevalent in rural Punjab. Literally the term means an invocation call, hark or

SORATHI KI VAR, or Ragu Sorathi Var Mahale Chauthe KI as is the full title recorded at the head of the text in the Guru Granth Sahib contrasting the short title in the index, is one of the eight vars composed by Guru Ram Das. It comprises twenty-nine pauns, i.e.

BABAR VANI (Babar\'s command or sway) is how the four hymns by Guru Nanak alluding to the invasions by Babar (1483-1530), the first Mughal emperor of India, are collectively known in Sikh literature. The name is derived from the use of the term in one of these hymns: "Babarvani phiri

DAKHANE, title of sixty-nine slokas by Guni Arjan, incorporated in his var in the measure Maru, three each with its twenty-three pauris or stanzas. The word dakhne (Skt. daksini) means `southern.` The language of these verses is a dialect of the southern Punjab, now in Pakistan, known as Multani