GARAB GANJANI TIKA, by Bhai Santokh Singh, is an exegesis in the Nirmala tradition of Guru Nanak`s Japu. The commentator, a celebrated poet and chronicler and author of the monumental Sri Gur Pratap Suraj Granth, completed the work, his only one in prose, in 1886 Bk/AD 1829. Whereas all his

FATEHNAMAH, or Namah-i-Guru Gobind Singh, a letter (namah in Persian) that Guru Gobind Singh (1666-1708) is believed to have addressed to Emperor Aurangzib prior to his better known Zafarnamah included in the Dasam Granth. The first reference to the existence of Fatehndmah dates to 1922 when Babu Jagan Nath Das

MARU VAR MAHALLA III, by Guru Amar Das, Nanak III, in the musical measure Maru is a poetical composition in the style of a vdr included in the Guru Granth Sahib. There are totally twenty-two such vdrs in the Guru Granlh Sahib in various musical moulds. A vdr is

SARANG Kl VAR, in the Guru Granth Sahib, is of the composition of Guru Ram Das. It is set to be sung in Sarang raga and hence the tide Sarang ki Var. Nine of the 22 vars included in the Guru Granth Sahib are composed in the musical mode

VAR MAJH KI, by Guru Nanak occurs in the musical measure Majh, in the Guru Granth Sahib. The word majh, in Punjabi, means in the middle or midway, and the raga which goes by this name was a folk tune of Majha, the central country of die Punjab, which

HAQIQAT RAH MUQAM RAJE SHIVNABH KI Haqiqat Rah Muqam Raje Shivnabh Ki (account or description of way, i.e. journey to the abode of Raja Shivnabh) is an anonymous and undated short piece in Punjabi prose, found appended to some manuscript copies of the Guru Granth Sahib, particularly to copies of

AMARNAMA, a Persian work comprising 146 verses composed in AD 1708 by Bhai Natth Mall, a dhadi or balladeer who lived from the time of Guru Hargobind to that of Guru Gobind Singh, Nanak X. The manuscript of the work in Gurmukhi script obtained from Bhai Fatta, ninth in descent

GURPRANALI, a distinct genre in Punjabi historical writing, providing in prose or in verse chronological information about the lives of the Gurus and of the members of their families. The genre records in the main dates of their birth, marriage and death. Occasionally, the dates of some major events are

POTHI ASAVARJAN, pothi, i.e. book, comprising discourses of some of the saints of the Sevapanthi sect. Since the sermons are interspersed with hymns composed by saints who used to sing them at their sangats in Asavari rdga or musical measure, the book is called Pothi Asdvandn. The language of

ZINDAGI NAMAH, a book of pious poetry in Persian by Bhai Nand Lal Goya, an honoured Sikh of Guru Gobind Singh, whose name continues to be remembered with affection and esteem. A distinction which uniquely belongs to him is that his verse can be sung along with Scriptural hymns at