Dard, Hira Singh, an eminent story writer, wrote with a reformatory attitude. He indirectly preached certain reforms keeping in view the realistic side of life. His story \'Rakhri\'1 is of this nature. The character, of the quarrelsome, rude and unlettered Rukmani—the heroine—making her home a hell and over hen-pecked nature of Daroga Prem Nath—the hero—are god realistic i portrayals but at the same time there is a implied suggestion of needed reform in both of them. His famous story \'Pir Gahlur Shah\' is a fine satire on the religious but blind faith of those people who, being uneducated, repose full faith in the hypocritical preachers.
FIVE SYMBOLS, a set of five distinctive features or elements of personal appearance or apparel that set off Sikhs from the followers of any other religious faith. Any study of religious symbols involves a dual task: first, to explain the meaning of symbols not only in terms of their original connotations but also on the basis of contemporary categories of understanding; secondly, to discriminate between genuine symbolism and piny post hoc interpretations which later times may have imposed on things originally having little symbolic relevance. A symbol is generally defined as something that stands for, represents or denotes something else, especially a material object representing or taken to represent something immaterial or abstract, as being an idea, quality or condition. Words, phrases and sentences, for instance, represent various beings, ideas, qualities or conditions.
GUJJAR, BHAI, a blacksmith by profession, was a devoted Sikh of the time of GuruArigad. Once he came to see the Guru and said, "Lord, I am a workman, always busy with my trade. How shall I be liberated?" The Guru advised him to recite the Japu (fi) early in the morning and work for the poor in the name of the Guru. Bhai Guj[jar, says Bhai Man! Singh, Sikhdn di Bhagat Maid, not only engaged himself in the service of other Sikhs, but also reiterated to them the tenets of the faith.
