SOBHA SINGH (1901-1986), painter, famous especially for his portraits of the Gurus, was born on 29 November 1901 in a Ramgarhia family of Sri Hargobindpur, in Gurdaspur district of the Punjab. His father, Deva Singh, had been in the Indian cavalry. At the age of 15, Sobha
MAHALA, traditionally pronounced mahalla, appears in Sikh Scripture, the Guru Granth Sahib, as a special term to credit the authorship of the compositions of the Gurus recorded in it. Mahala here refers to the person of the Guru specified by a numeral following it which signifies his position in the
CHALITARJOTlJOTI SAMAVANE KE, one of a collection of seven unpublished Punjabi manuscripts held in the Khalsa College at Amritsar under catalogue No. 1579E. Comprising a bare three folios (3063-08), it is divided into two sections. The first part (ft. 3063-07) entitled "Verva Guriai ka Likhia," lit. details recorded of the
MAHIMA PRAKASH, by Sarup Das Bhalla, is a versified account, in Gurmukhi script, of the lives of the ten Gurus, completed according to inner evidence, in 1833 Bk/AD 1776. Three copies of the manuscript, are still extant: one (No. 176) in the Languages Department, Punjab, Patiala, the second (No. 792)
TAHLA SAHIB, GURDWARA, sacred to both Guru Tegh Bahadur and Guru Gobind Singh, is in the revenue limits of Rajgarh Kubbe, a village 5 km southeast of Maur Kalan (30"4 N, 75"14E), in Bathinda district of the Punjab. Lying 2.5 km to the west of the village, there used to
DABISTANIMAZAHIB, a seventeenth century work in Persian, is a unique study of different religious creeds and systems, including early Sikhism. It first attracted wide notice when it was translated into English by David Shea and Anthony Troyer and was published by Oriental Translation Fund of Great Britain and Ireland,
MAHIMA PRAKASH, known as Mahima Prakash Vartak (prose) to distinguish it from another work, in verse, bearing the same title, Sarup Das Bhalla\'s Mahima Prakash, is an unpublished manuscript containing anecdotes from the lives of the Gurus. The manuscript, copies of which are now available in the Khalsa College at
TULASI O Brahmin! worship the Lord as Salagrama and consider the good actions as the rosary of Tulasi leaves. (Basant Hindol M. l, p. 1170) Episode: A woman named Tulasi, after having been engaged in religious austerities for a long time, wanted the boon of becoming the wife of
GALAURA, BHAI, a resident of village Chlka in the present Kaithal district of Haryana, became a devotee of Guru Tegh Bahadur The Guru appointed him his masand, representative in Hisar and Harisi, in which capacity he spread the teachings of the Gurus in that region.
MAYYA, BHAI, a Khullar Khatri, is mentioned among the prominent Sikhs of the time of Guru Ram Das. According to Bhai Mani Singh, Sikhdn di Bhagat Maid, Bhai Mayya along with Bhai Japa and Bhai Nayya, both of the Khullar clan, and Bhai Tulsa, a Vohra Khatri, once waited
VANJARA SIKHS or Banjaras, akin to Labana Sikhs of the Punjab, are found scattered throughout Central and South India as well as in Uttar Pradesh and Rajasthan. Although vanjara, from Sanskrit vanij (a merchant, trader), is now used as a generic term for peddlers in the Punjab, the Vanjaras during
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