MANMUKH, the ego guided person, as opposed to gurmukh`who is Guru guided. The gurmukhmanmukh bipolarity represents the personality typology employed in the Sikh sacred literature. Basically it opposes and contrasts the ocentric and egocentric personality types. The word manmukh is compounded of man (mind, lower self) and mukh (face):

MAYA, written and pronounced in Punjabi as maid. As a philosophic category in the Indian tradition, Maya is interpreted variously as a veil or curtain concealing reality; the phenomenal world as it appears over against things in themselves; the grand illusion or the cosmic principle of illusion. Maya is

MURARI, BHAI, a Dhaun Khatri of Rohtas, now in Pakistan, was a devoted Sikh of the time of Guru Arjan. He, as says Bhai Mani Singh, Sikhan di Bhagat Maid, once came to see Guru Arjan and said, "Lord, we regularly recite the sacred hymns and we reflect upon

PINGALA Ajamila Pingala, the bunter Lodia and the elephant went to the abode of the Lord; if such evil persons obtained salvation, O Ravidas, why do you not get emancipation ? (Kedara Ravidas, p. 1124) Pingala was a comely prostitute. One day she bedecked herself in order to attract

Durbasa, the king Furu and the sage Angarai (Angiras) sang the Praises of Guru Nanak Dev. (Swayye Mahle Pahle Ke, p. 1390) The sage Angiras is said to be the author of many hymns of Rig Veda. He was one of the Sapt-rishis and one of the ten Prajapatis.

SAN GRAND, sankranti in Sanskrit, is the first day of each month of the Indian solar calendar, based on the shifting of the sun from one house (rasi) to another. From quite early in human history, the sun, and its satellites, the planets, came to be regarded as objects endowed

CHARHDI KALA, a subtly composite concept, commonly translated as "high morale" or "high spirit", signifies in the Sikh tradition, to which the usage is peculiar and native, a great deal more. It stands for a perennially blossoming, unwilling spirit, a perpetual state of certitude resting on unwavering belief in Divine

SARANG Kl VAR, in the Guru Granth Sahib, is of the composition of Guru Ram Das. It is set to be sung in Sarang raga and hence the tide Sarang ki Var. Nine of the 22 vars included in the Guru Granth Sahib are composed in the musical mode

CHARPAT NATH, one of the yogis whom, according to the Miharban Janam Sakhi, Guru Nanak met on Mount Sumer, was a Gorakhpanthi recluse. Guru Nanak himself mentions his name twice in his compositions in the Guru Granth Sahib in his Si`dh Gosti and in another hymn in Raga Ramkali.

SUKHANFAKIRANKE, an eighteenth century work in Punjabi prose attributed to Bhai Addan Shah, a Sevapanthi saint. Two manuscript copies of it are known to existone (MS.No. 2196) in the Central Public Library, Patiala, and the other (MS. No. 11560) in the Pahjab University, Chandigarh. The latter has since been included

GHORIAN, hymns by Guru Ram Das in measure Vadahans in the Guru Granth Sahib. The word `ghondn` in Punjabi is tlie plural form of ghon, a mare. In Punjabi folk poetry, a type of lyrical songs which are sung on the occasion of marriage are called ghondn. A Punjabi

SYMBOLISM. The poetry of the Guru Granth Sahib is noteworthy especially for the wealth and variety of its images and symbols. The Gurus and sants whose compositions form part of the Holy Book have rendered their mystical and spiritual experience in the idiom of poetry. A large number of similes