KIRTAN (from Skt. kirii, i.e. to praise, celebrate or glorify), a commonly accepted mode of rendering devotion to God by singing His praises, is a necessary part of Sikh worship. Music plays a significant role in most religious traditions. In Sikhism it is valued as the highest form of expression
RAGMAIA, lit. a rosary of ragas or musical measures, is the title of a composition of twelve verses, running into sixty lines, appended to the Guru Granth Sahib after the Munddvam, i.e. the epilogue, as a table or index of ragas. In the course of the evolution of Indian music,
SAMUND SINGH, BHAI (1901-1972), a leading Sikh musicologist of the twentieth century, trained in music under leading maestros of the art, Sikhs as well as Muslims, was born on 3 March 1901, at the village of Mulla Hamza, in Montgomery district, now in Pakistan. He started his training so young
ANHAD/ANHAT BANI or SHABD :A sound that is unending and knows no limits. Audible life current originating from the Divine Will, endlessly carrying on the work of creating and sustaining the universe; interchangeably used with Anhat meaning \'Unstruck\', as it it automatic and not instrumental. It also means sound not
SHAM SINGH, SANT (1803-1926), holy man who was also an accomplished musician, was born in 1803 to Bhai Darbari and Krishan Kaur, a couple of humble means belonging to the Sevapanthi sect of the Sikhs and inhabitants of Shahpur, in Sargodha district of Pakistan. His father died when he
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