GUJARI KI VAR, a composition in the form of folk balladry or a vdr, by Guru Arjan included in the Guru Granth Sahib under Gujari rdga, one of the thirty-one musical measures into which hymns in the Scripture are cast. The poem comprises twenty-one pauns or stanzas, with two
KANRE KI VAR, by Guru Ram Das, is one of the twenty-two compositions entered in the Guru Granth Sahib under the rubric of vdr. Like oilier vdrs it is assigned to a specific musical measure Kanra, in this instance. At the head of the Vdr is recorded by Guru
MARU VAR MAHALLA III, by Guru Amar Das, Nanak III, in the musical measure Maru is a poetical composition in the style of a vdr included in the Guru Granth Sahib. There are totally twenty-two such vdrs in the Guru Granlh Sahib in various musical moulds. A vdr is
MARU VAR, Guru Arjan`s composition in the Maru musical measure in the Guru Granth Sahib. Traditionally, Maru which gives the Vdr its title is elegiac verse and is commonly sung in the afternoon. This measure has a martial undertone as well. The singing of Maru rdga with devotion annuls
SALOK MAHALLA 9, i.e. slokas of the composition of Guru Tegh Bahadur, Nanak IX, form the concluding portion of the Guru Granth Sahib, preceding Guru Arjan`s Mundavam (GG, 142629). These slokas are intoned as part of the epilogue when bringing to a close a reading of the Guru Granth
SALOX VARAN TE VADHIK is the title given to a miscellany comprising 152 slokas or couplets appearing in the concluding portion of the Guru Granth Sahib. Guru Arjan, when compiling the Holy Volume introduced slokas by the Gurus he had collected into the texts of vars, another favored form
SARANG Kl VAR, in the Guru Granth Sahib, is of the composition of Guru Ram Das. It is set to be sung in Sarang raga and hence the tide Sarang ki Var. Nine of the 22 vars included in the Guru Granth Sahib are composed in the musical mode
SIR! RAGA KI VAR, by Guru Ram Das, is one of the twenty-two vars entered in (lie Guru Granth Sahib. It occurs in Sin raga from which it derives its title. This raga, known for its musical grace and delicacy, is sung both in winter (January/February) and in summer