GARAB GANJANI TIKA, by Bhai Santokh Singh, is an exegesis in the Nirmala tradition of Guru Nanak`s Japu. The commentator, a celebrated poet and chronicler and author of the monumental Sri Gur Pratap Suraj Granth, completed the work, his only one in prose, in 1886 Bk/AD 1829. Whereas all his
SVAPAN NATAK, lit. dream play, is an allegorical poem in Braj, comprising 133 stanzas, by Giani Ditt Singh, a leading figure in the Lahore Singh Sabha. Published in the supplement to the issue, dated 16 April 1887, of the Khalsa Akhbar, a Punjabi newspaper of which Giani Ditt Singh himself
BIHAGRE KI VAR, by Guru Ram Das, is one of the twenty-two vars included in the Guru Granth Sahib. The Var, originally comprised pauris which were prefaced with slokas, or couplets, by Guru Arjan at the time of the compilation of the Guru Granth Sahib. All the twenty-one pauris
GAURI KI VAR, by Guru Ram Das, is one of his seven vars in a total of twenty-two in the Guru Granth Sahib. As the title indicates, the Vdr is cast in the Gauri musical measure a rdga commonly sung in the evening. In Sikh Scripture, Gaun is the
MUNDAVANI (lit. a seal or riddle), the concluding hymn of the Guru Granth Sahib composed by Guru Arjan as an epilogue to the Scripture which he had himself compiled and the first copy of which was transcribed under his guidance. The hymn comprises two parts; in the first part,
SHABAD (SABAD) HAJARE, also called Hajare de Sabad, is a collection of seven hymns taken from the Guru Granth Sahib and grouped together for the purpose of daily recitation. The title Shabad Hajare occurs nowhere in the Guru Granth Sahib, though it has found its way into breviaries (gutkas)
VAR SAT ("Seven Days of the Week"), title shared by two of the compositions in the Guru Granth SahibKabir`s in measure Gauri and Guru Amar Das` in measure Bilaval. The one by Guru Amar Das is entitled Var Sat, while that by Kabir has a variation in the form
JANAM SAKHI, i.e. life story, is the term used to designate traditional narratives of the life of Guru Nanak. Although the compound is occasionally applied to narratives concerning later Gurus or other religious teachers too, it is normally confined to those which relate in anecdotal prose the life and
ARZ ULALFAZ, lit. breadth or scope (arz) of words (aJfaz) or petition, request or address (arz) in words (alfaz), is a versified composition in Persian by Bhai Nand Lal Goya, a noted poet and devout follower of Guru Gobind Singh. Bhai Nand Lal in between his periods of service at
GURU KIAN SAKHIAN, containing stories from the lives of the Gurus, was written by Bhatt Sarup Singh Kaushish, of Bhadson, in Parganah Thanesar. As recorded by the author, the manuscript was completed in 1847 Bk/AD 1790 at Bhadson itself. The original manuscript was written in Bhattachchhari, a script used by
RATAN DAM by Tahkan, a translation and adaptation into Braj of Acharya Amar Singh`s Amar Kosh, the famous Sanskrit lexicon. Tahkan was one of the several poets who kept Guru Gobind Singh (1666-1708) company. In preparing Ratan Dam, the poet consulted works other than Amar Kosh as well. The manuscript
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