MARU VAR, Guru Arjan`s composition in the Maru musical measure in the Guru Granth Sahib. Traditionally, Maru which gives the Vdr its title is elegiac verse and is commonly sung in the afternoon. This measure has a martial undertone as well. The singing of Maru rdga with devotion annuls

ANAND (Skt. Anand, from nand meaning "to rejoice" or "to delight") denotes mystical experience, spiritual bliss or a state of consciousness such as that ofaJi`van mukta, i.e. one released while still in body. Anand in the Upanisadic texts istaken to be one of the three inherent attributes of atman

NADAR (Arabic nazar: glance, favourable regard, favour), implying Divine grace, is a concept central to Sikh religious tradition affirming its faith in a Transcendental Being responsive to human prayer and appeal for forgiveness and mercy. It reiterates at the same time a belief in the sovereignty of Divine Will

ANANDU, noncanonically spelt Anand, by Guru Amar Das, is like Guru Nanak`s Japu, one of the more familiar texts in the Guru Granth Sahib. Set in the Ramkali musical measure and comprising forty stanzas, Anand is recited liturgically, especially in its shortened form, at the conclusion of all congregational services

NAM (lit. name), a collection of sounds possessing the capacity to signify a person, place, thing or idea, is a key term in Sikh theology, embodying a concept of central importance. It subsumes within it the revelation of God`s being, the only fit object of contemplation for the individual,

ANHAD/ANHAT BANI or SHABD :A sound that is unending and knows no limits. Audible life current originating from the Divine Will, endlessly carrying on the work of creating and sustaining the universe; interchangeably used with Anhat meaning \'Unstruck\', as it it automatic and not instrumental. It also means sound not

PAPA (Sanskrit and Pali papa, Prakrit pdva). The word stands for one of the basic concepts of the Indian religious tradition. This concept relates to what is considered religiously and morally evil, an act of body, mind, or speech opposed to what is considered religiously and morally good. In

BASANT KIVAR, by Guru Arjan, is the shortest of the twenty-two vars, i.e. holy poems composed in the style or tone of odes (vars, in Punjabi) or heroic ballads included in the Guru Granth Sahib. Basant, Punjabi for spring, from which musical measure the Var derives its title is,

SARANG Kl VAR, in the Guru Granth Sahib, is of the composition of Guru Ram Das. It is set to be sung in Sarang raga and hence the tide Sarang ki Var. Nine of the 22 vars included in the Guru Granth Sahib are composed in the musical mode

BAVAN AKHARI, a poem constructed upon 52 (bavan) letters (akhar) of the alphabet. In this form of poetry each verse begins serially with a letter of the alphabet. The origin of the genre is traced to ancient Sanskrit literature. Since the Devanagari alphabet, employed in Sanskrit, comprises fifty-two (bavan, in

SIR! RAGA KI VAR, by Guru Ram Das, is one of the twenty-two vars entered in (lie Guru Granth Sahib. It occurs in Sin raga from which it derives its title. This raga, known for its musical grace and delicacy, is sung both in winter (January/February) and in summer

BIHAGRE KI VAR, by Guru Ram Das, is one of the twenty-two vars included in the Guru Granth Sahib. The Var, originally comprised pauris which were prefaced with slokas, or couplets, by Guru Arjan at the time of the compilation of the Guru Granth Sahib. All the twenty-one pauris